07-26-13 Gorge Amphitheatre, George, WA

Fri, Jul 26, 2013
Gorge Amphitheatre, George, WA

Soundcheck: Dogs Stole Things, Farmhouse, My Soul, Farmhouse

Set 1: AC/DC Bag > Timber (Jerry), Wolfman’s Brother, Funky Bitch, Happy Birthday to You[1], Wilson[2] > Possum, Tube, Secret Smile, McGrupp and the Watchful Hosemasters > The Ballad of Curtis Loew, Split Open and Melt

Set 2: Crosseyed and Painless > Twist[3] > Steam[4] > Waves -> Twenty Years Later > The Mango Song, Bug > David Bowie[5], Rocky Top > Character Zero[6]

Encore: Harry Hood > Fire[7]

[1] For Chris Kuroda. Contained a Call to the Post tease from Mike.
[2] Trey, wearing a Russell Wilson t-shirt, talked about how he wanted to hear the Wilson chant this season in Seattle.
[3] Tequila tease.
[4] Crosseyed tease.
[5] Bug teases from Trey. Crosseyed teases and quotes.
[6] Trey asked CK to turn off the lights for a “Moon Jam” that featured band members howling at the moon…
[7] Alternate lyrics “Move over rover and let Jon Fishman take over!”

Notes: This show was webcast via LivePhish.com. Happy Birthday was played for Chris Kuroda (last played March 8, 2009 Hampton, 186 shows) and contained a Call to the Post tease from Mike. There was a full-band Satisfaction tease before Wilson. Before the “blat-boom!” in Wilson, Trey, wearing a Russell Wilson t-shirt, talked about how he wanted to hear the Wilson chant this season in Seattle. Secret Smile was performed for the first time since November 1, 2009 (Festival 8, 156 shows). Twist contained a Tequila tease. Steam contained a Crosseyed tease. Bowie contained Bug teases from Trey. Bowie also contained Crosseyed teases and quotes. During Character Zero Trey asked CK to turn off the lights for a “Moon Jam” that featured band members howling at the moon! Fire featured alternate lyrics from Trey “Move over rover and let Jon Fishman take over!”

Wow. Egg on face for not staying up to watch.

I feel horrible about not going now. That show was amazing.

Awesomeness.

::as witnessed on Couch Tour (late night, Eastern Time Zone)

The whole first set was straight heat! Page is still tour MVP and was on fire again, but Trey was playing as tight, sharp and energetic as I’ve heard him in a while. McGrupp was so clean and beautiful and the way it dropped after Secret Smile was pure bliss. The Melt jam was probably my favorite of the night. The whole tension and release and darkness of it was outstanding.

Crosseyed was a journey as well, but I felt that Twist was a wrong turn. Giving C&P jam a couple more minutes and going into Piper would have been a better call. After that, the playing and music was still wonderful but the general momentum going into the C&P jam, I felt, was a bit lost and unrecovered for the night. But it led into a set of pretty music all night. The “Moon jam” in Character Zero was awesome from my point of view but I’m sure it was one of the greatest things ever for those at the Gorge! What a great venue.

Ok, I’m finally ready to write about this one.

I had the distinct pleasure of taking my buddy J.J. to this who’s never really paid much attention to Phish. He’s a monster guitar player and digs the Allman Brothers and STS9. We arrived around 7:00ish and split a Sierra Nevada Torpedo in the parking lot. Went in, filled water bottles, I grabbed a shirt from merch, then we hit the pissers and made our way to the floor. We easily worked our way in to about 40 feet off the stage in front of Mike and posted up there for first set. It so happened that we were standing right next to some other folks from our town, so we had great conversation up until Phish came on around 8:10. From the very first notes of Bag, the floor around us was ecstatic. Didn’t feel crowded at all, and we had short people in front of us, so the view was perfect. Bag was tight, and I could tell right off the bat that Trey was on top of his game and having a blast. I was so wrapped up in the music that I wasn’t really keeping tabs on J.J. until partway through Wolfman’s when I glanced over… He was totally under the spell! Sort of dancing, but with an expression on his face like he was having a religious experience. He saw me looking at him and said something like, “This is incredible!” I smiled and told him that they were getting warmed up and to fasten his seat belt. Happy Birthday was fun, and the whole Russel Wilson (Duh Duh, Duh Duh) jersey thing before Wilson was awesome. Possum and Tube were both fun. Secret Smile was BEAUTIFUL. I never thought I’d be stoked to get that song at a show, but I was. After that, the combo of McGrupp, Curtis Loew, and SOAM capped off my first set in pure bliss. I’ve only gotten one other SOAM, and that was at Coventry… so yeah. I’ll count this one as my first. :slight_smile:

First set summary: I got my first Timber, Tube, Secret Smile, McGrupp, Curtis Loew, and (kinda) SOAM. J.J. got his mind blown.

During setbreak, all the folks down front who’d been swilling beer all afternoon ran for the pissers and we moved up to about 25 feet of the rail, almost dead center. Just as they were taking the stage for second set, a joint came by and I hit it once. That toke, and the half a beer before the show, are the only drugs I ingested the whole night, which makes this the soberest I’ve ever been for a show. I really enjoyed it!

The floor was raging during CE&P, and the glowstick wars were epic. Twist seemed a bit strange at first, but I didn’t mind. Steam was hypnotic, and where we were standing there was a ton of room, so we were able to move and dance without bumping elbows. I remember around this point being totally stoked on Trey’s playing. To my ears he’s more patient and tasteful than he’s been since '97 or so. I knew the CE&P teases were coming like four bars before they started, and I felt like I had successfully tapped into the groupthink on stage. When Waves dropped, I remember I stopped moving and looked up at the sky, my consciousness bobbing along in the waves of dancers around me. I’ve always loved Waves, and couldn’t wipe the smile off my face that I was getting one this night. Twenty Years later was everything it usually is… I kind of checked out for a second to reflect on what had happened up to that point, drink some water, roll a cigarette, and ground myself for a bit. I was glad I did, because Bug and Bowie sucked me right back into the fold. I was pretty convinced that Bowie would end the set, so I was delighted when they gave us Rocky Top. I figured that would be the cherry on top, but at that point, I think Trey was having too much fun to stop. Character Zero (like Hood) is a song that I strongly associate with The Gorge, and when they launched into it, I knew it was going to go places. Now, I’ve heard Trey do a lot of shit, but I’ve never heard him howl at the moon before. Being down on the floor for that, with my back to the stage, surrounded by people howling at the moon, with Trey and his guitar howling up on stage was a truly memorable experience. Hard to describe. Maybe impossible to describe. I was certain the Hood encore was coming, and while it didn’t hit the perfection of the Gorge ‘09 Gin>Hood set closer, it was beautiful. Fire was a TOTALLY unexpected bonus, possibly a nod to the forest fire on Hwy. 97 that re-routed so many peoples’ path to the show.

Second set summary: My first CE&P, Steam, Waves, 20 Years Later, Rocky Top, and Fire. J.J. pretty much couldn’t speak. About 15 minutes after Fire ended, while we were trudging up the hill, he finally managed to say, “That was a REALLY good idea.”

J.J. went home and has done little besides watch Phish on youtube ever since. He bought the stream for all three BGCA shows. He’s hooked, big time. My work here is done.

I was sure c&p was gonna truly segue into either ocelot or roggae, the twist was a surprise.

Oh, one other note. Kuroda’s new light rig isn’t nearly as cool. He needs to bring back the real lights and ditch the LED cans. Looks good on webcast, but it’s pretty weak up close.

Thank you for sharing this! It sounds like one of those perfect moments over the recording. I was wondering what that was like at the show. Howling at the moon with friends on the edge of a canyon is my idea of a great time.