I still believe these shows are what woke the band up tp the idea of ending it.
i love the bad shows! seriously, i do. they’re fascinating in a weird, disturbing way. i think coventry is just outstanding to listen to for it’s insane mix of horrible-ness and then it’s emotion-SEEPED jams!
i guess everyone’s taste is different, but i can definately hear the good within the bad. i think you always got an honest representation of what the guys in the band were going through, and that’s always been worth hearing for me…
I left and went back to my tent during Stash at Coventry. It was pretty bad. Me being exhausted was definitely part of it, but I didn’t see the point of struggling to stay at a show that sounded that bad.
That Stash can be found here.
http://www.philogitics.com/mp3/
Edit: Yeah, that’s a bad Stash. Trey doesn’t even try to compete with the audience during the “Whooooa-ooooooo” parts.
Also, after listening to the 10-30-98 Stash, Trey kinda does the same thing, he gets off by a bit, and eventually dies off with the “Maybe so, maybe not” parts. Maybe it’s just a Vegas thing?
I just listened to the Stash and I honestly don’t think it’s that bad. Trey slows down the last lines, and it does sound a lot darker, but I don’t think it is bad. But the Girls, Girls, Girls really might be the worst thing I have ever heard.
Wow, the vocal jam is really, really fucked up. That’s just lame.
Although the most ironic moment of the weekend goes to the 4/16 “Back On The Train”.
If you guys think bad shows are fascinating, definitely check out the Hampton '04. I’ll write an entire post/thread about it eventually, but during the second set it feels like Trey is either fucked up, something is wrong with his guitar, or he’s trying to play in a way he’s never played before…maybe all three!! The Stash jam is crazy; it feels like everybody is playing completely oblivious of each other, making for an intense and fascinating jam that you will either hate or love. The segue into NICU is great, though.
I bring up this show mainly because of the Crowd Control. Trey was being REAL emphatic with his vocals and playing on this one!!
i was at all 3 vegas shows. the last 2 i thought were really good. there was alot of high points for me. the first night was def. almost unlistenable. i wanted to puke during the dwd.
I’d like to get my hands on these shows, I haven’t heard them either…
If they show up on eBay, let me know!
I was there too and I almost agree with your review. I do think there were some good points on the first night like The Moma Dance, Stash>Timber, and Slave to the Traffic Light.
WHAT ABOUT SNEAKIN’?!?!?!
BEST 3 MINUTES OF PAGE ON THE CLAV MAYBE EVER!
yah, and the moma and slave were tight!
Oh yeah, that too.
You put the lime in the coconut and drink it all up.
that Moma Dance is NOT tight.
Page Clav solos make my pants tight.
um, okay, sowwy.
The LW version of “Tweezer” has some quite good clav work, which I think is the only known version of “Tweezer” to contain clavinet playing during the intro/composed parts…
looks around
Oh, sorry.
clears throat
4/15/04 is…cool.
on the way back from vegas i thought something terrible was going to happen. no joke. i really didn’t think they could continue on with shows like that. seriously, if they consistenly played shows like 4/15, who would see them?
^ Yeah but if they played consistently like they played at any show who would see them? What makes Phish great is not knowing what to expect from show to show. I shouldn’t speak my mind as I haven’t heard 4/15, but I have heard 4/17 and I don’t think that it is that bad. I’d rather be at that show then almost any show by any band ever. (other than Phish…there are many phish shows I would have rather been at)…