^ But really fone…on the other side of the coin, it is their most “jammed” album…sure they might sacrifice the crafting of some of the songs, but it really sounds like some parts are spontaneous, which you just don’t really get with any other phish albums. Not just the jams, but the songs often sound, if not spontaneous, than certainly like they are developing them as they are recording them.
I didn’t get it at first…but I’m starting to view Roundroom as a kind of portal that allows us to glimpse into Phish’s creative process in the studio. Because the songs aren’t rehearsed and rehearsed until they lose their original “vibe” (for lack of a better word), it makes it seem like it is always kind of fresh in my mind. Even if some of the songs never turned into much (Mexican Cousin), the ones that did (46 Days, 7 Below) couldn’t have reached the heights they did without first being hammered out in the studio like this.
I don’t know that it’s my favorite phish album, but it has definately earned a place in my Top 5…Move over Farmhouse.