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Oh yeah, you too!!
^Just trying to effe with you my friend! LMAO… ![]()
Oh, and Stonefan… I am hoping the package is received.
I added a few stamps to it.
For a b&p, you should ALWAYS put stamps on the return envelope. Those print-out stickers are technically only to be shipped from the zip code it says on the sticker.
So… we shall see. I may receive the package back in a couple days (no mail today)
no s**t! Sorry about that! will know for next time…apologies in advance if it gets hosed up. 
No problem, gotta learn at some point, right?
Added an extra show taboot, just for being slow on this. ![]()
dude you are awesome…what else can I say.
I really appreciate that. What show is it?
Can’t wait…hopefully the mailman comes through today.
Widespread Panic 08/13/06
Chicago Theatre, Chicago, IL
Set I
Pusherman > Hatfield > Rock, Weight Of The World > Nobody’s Loss > This Part Of Town > One Kind Favor, From The Cradle > Fishwater
Set II
Goodpeople, Driving Song > Disco > Don’t Be Denied > Surprise Valley > Jam > Driving Song > Impossible > Drums > Arleen > Papa’s Home > Space Wrangler, Tennessee Before Daylight > Chilly Water
Set III
E: End Of The Show > Last Dance
Comment
Entire show with John Keane on guitar/pedal steel, Sam Holt on guitar/vocals
[Only ‘Tennessee Before Daylight’]
That is a hell of a set list! I have been looking for a good Hatfield! Only one I have is from Live at the Classic City album.
I saw four shows in a row (Cleveland/ChicagoX3), and Sam Holt impressed me more than anyone in a long time.
The second set to ^^that show was my favorite of the four nights… serious heat!
A recap of that great week:
http://user9510.vs.easily.co.uk/ohkeepa/viewtopic.php?f=74&t=6155&hilit=panic+chicago+cleveland
SHOWS IN HAND!!!
Thanks again buddy!!

Success!!
Success!!
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Second package received!
Thanks a ton for the ABB show, look forward to hearing it.
Gonna do a little investigation to see if I can find a great show with those three songs you mentioned. Will keep you up to date on my findings.
No rush my friend!! The setlist (pretty sure I forgot to include it) is:
Disc1
- Black Hearted Woman
- Sailin’ 'Cross The Devil’s Sea
- I’m Not Crying
- Blue Sky
- Statesboro Blues
- Please Call Home
- Trouble No More
- True Gravity
Disc 2
Acoustic:
9. Steady Rolling Man
10. Everyday
11. Goin’ Down the Road Feelin’ Bad
12. Come On In My Kitchen
13. Melissa
Disc3
Electric:
14. Don’t Want You No More
15. It’s Not My Cross To Bear
16. Change My Way of Living
17. In Memory of Elizabeth Reed
Encore:
18. No One To Run With
Nice set list…
phishinsky - it was even better in person. Willing to trade for some great Phish if you’re interseted.
Maybe, I am looking into some shows here, thanks for the offer! I’ll be around and be in touch…
Burning the discs now, hope you enjoy.
I included one of my favorite shows of all time, which includes my absolute favorite Antelope. It also has a very good Wilson. Threw in an extra disc too, which has the Harry Hood intro… so I almost fulfilled all your requests! ![]()
Info files below:
Phish
Campus Club
Providence, RI
3/13/92Lineage: S:MCass>(DAT ?)>PCM>CD>EAC>SHN
update
S:MCass>(DAT ?)>PCM>CD>EAC>SHN>ReMastering>SHNDisc 1 / Set 1:
- The Curtain >
- Split Open and Melt *
- Poor Heart >
- Guelah Papyrus
- Maze
- Dinner and a Movie >
- Divided Sky
Disc 2:
Mound >
Fluffhead >
Run Like an Antelope >
BBFCFM^ >
Run Like an Anteope
Set 2
Wilson^^ >
Brother >
The Horse >
Silent in the Morning
Disc 3:
The Landlady >
Lizards
My Mind’s Got a Mind of its Own
The Sloth >
Rift
Cold As Ice
Love You >
Cold As Ice
Possum^^^
Encore
Contact
Fire
Notes: The “?” in the lineage is not an extra analog generation. I’m just not
sure if the PCM came from a DAT or not, thus I put the question mark in. I
transferred the PCM, removed the DC offset, converted from 44.056Khz to
44.1Khz at the highest quality setting, tracked, and burned this show on
July 30, 2003. I wonder if perhaps the master was recorded with Dolby on and
played back with it off. It seems a bit too bright to me. However, I did
not mess with the recording in any way. Enjoy!
- There is a very small dropout at 2:10. I tried several times to get a
clean read off the PCM tape at that spot, but could not. It’s hardly
noticable, though.^ - Has a vocal jam based on “Hawaii” and a “Lullabye” tease in it.
^^ - “Somewhere Over the Rainbow” tease to start
^^^ - Trey explains secret language
David Hollister
RE-MASTERING NOTES 8/2003
This show almost certainly has the pre-emphisis enabled if this a true PCM recording. That is the most likely cause for the overly harsh sound of the show. Upon getting these SHN’s, they were loaded into REBA and passed through a 20band Parametric EQ with the J17 de-emphisis setting. Next in store for this show was a pass through the BBE Sonic Maximizer. This was used to really bring the mix together…it really brought out the low end very well. You can actually hear Mike’s bass nowThe reason this was done is because if you listen real closely, you may notice you hear a lot of room dynamics…the recording had a slight time smear problem because of the 2 sources used to record this. The BBE unit was used to correct for this. Yes, you heard me right…I think this is a matrix, SBD+AUD. The SOAM has some nasty feedback. I crossfaded the feedback to “lessen” the damage to our ears. The pops in Fluffhead were toned down somewhat, but I had to leave BBFCFM alone…most of the distortion you hear is not dropouts but rather mic overload.
The show was re-mastered, re-tracked, then shn’d in August 2003.
Remastering by Mr. Marmar
11-23-85 Goddard College Cafeteria, Plainfield, VT
Cass/1 > digital remastering > D8 > CDR
Seeded by Ben Mohr (bmohr@udel.edu)
carini.etree.org
Disc 1: (44:31)
- Mike’s Song (4:33)
- Whipping Post -> (16:03)
- Jam -> Harry Hood intro (11:11)
- Run Like An Antelope -> (9:01)
- Dave’s Energy Guide (3:43)
This is an oldie but goodie. The sound quality is not perfect but what
can you expect from an '85. I’m assuming this is a soundboard recording
but I won’t make any judgments since it wasn’t in the source info given to me.
Enjoy!!!
(the '85 show is the show where Mike realized he wanted to play music forever)
The reason this was done is because if you listen real closely, you may notice you hear a lot of room dynamics…the recording had a slight time smear problem because of the 2 sources used to record this. The BBE unit was used to correct for this. Yes, you heard me right…I think this is a matrix, SBD+AUD. The SOAM has some nasty feedback. I crossfaded the feedback to “lessen” the damage to our ears. The pops in Fluffhead were toned down somewhat, but I had to leave BBFCFM alone…most of the distortion you hear is not dropouts but rather mic overload.