Anyway, let’s get down to discussing this show.
I would go so far as to say that '93 was THE pivotal year in Phish’s history. You can look backwards in time from '93 and while you do see them jamming, it’s not nearly to the extent it became even in '93, let alone after. I can’t think of a single version of a song before then that is stretched out to the extent that '93 and '94 jams were. And the Murat show on the summer '93 tour is one of those pivotal times when you could tell the band ‘got something’ and just went for it.
Obviously the big draw here is the second set, and since I haven’t given the first set a good listen in awhile, I’ll just focus on this set. Take a look at the number of songs played. This is, I’m going to guesstimate, the shortest second set in terms of number of songs played for all of summer '93. This gives you a good idea of how they took the songs out there. For many, this was and still is THE Bathtub Gin. It’s always fascinating to me to hear the first time they took a song out there, and for all intents and purposes this was the first jammed out Gin. Very much in their '93 style, it slides into a raucous Ya Mar. Then, a historic Mike’s with no Weekapaug. Aside from those two big jams, the rest of the set and encore crackles with that inspired lunacy that makes older Phish exciting.