Two other Phish albums are like this; the ‘White Tape’, and Siket Disc. All three are totally Phish albums but they each kind of … don’t count … in their own special way.
See, the White Tape “kinda counts” for me since it’s really the “real first album” since that’s what they handed out at shows and stuff. So that feels more “real” to me. Siket Disc is clearly just a throwaway album of leftover stuff…I think I remember it was even sold at a discount at their store.
I also feel the same way about Trey’s 18 Steps which is just Bar 17 outtakes…and given how I was only lukewarm on Bar 17, I’m about the same about 18 Steps. One Man’s Trash FEELS like an outtakes album since it never felt like a “serious” solo effort by Trey…it’s got some weird tunes and Trey just put it out there and didn’t tour for it or anything. Even though it’s his “first solo album” I don’t feel like it counts either especially since a few tunes off that were re-recorded on his self-titled album.
Horseshow Curve also doesn’t feel like a “real album” and plays like more of a jam session to me. It’s quite good but obviously isn’t the same. For me, I’m big on Traveler, Shine and the Self-titled one and Bar 17 and Paper Wheels gets second billing. I’m also holding out for the “Let Me Lie” greatest hits which will be an album of all 20 versions of Let Me Lie that have come out over the years.
I will also say that Original Boardwalk Style is a sick live album…some badass jams on that one.